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Jun 23, 1983
Interview: SOUNDS (1983)

The Breathing Method. Sandy Robertson welcomes the resuscitation of The Police. I can never quite get over the rise to prominence of The Police. I always find my mind trailing back to those awful nights when they supported at that terminal of punk thrash, the Roxy, Covent Garden. They stunk, but they weren't punk. A sort of mutated, flailing breed of HM and Jazzfunk it was. Dire...

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Jun 01, 1983
Interview: SOUNDS (1983)

I can never quite get over the rise to prominence of The Police. I always find my mind trailing back to those awful nights when they supported at that terminal of punk thrash, the Roxy, Covent Garden.

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Jun 01, 1983
Interview: MUSICIAN (1983)

Breathe slowly, Breathe slowly and deeply. Do not get sick. Not now. Not crammed like a sardine in the back of Andy Summers' Datsun 280-Z on a late night London cruise. Not while my head is hovering just inches above the tousled manes of two-thirds of Britain's most successful pop group. Make a note: never order eggplant in a wine bar. Particularly when you're in a country that imports its vegetables and then calls them by their French names. Quick, distract the mind. What was it about Sting that was so perplexing, so out of synch with what I was anticipating? Well, what was I expecting to find? A bright, brash, somewhat arrogant young muso? A witty, ambitious, strong-willed Apollo about to make the jump from Pop Icon to All Around Beautiful Person? And did he fulfil those expectations? Well, yes... and no. Mostly no...

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Sep 01, 1982
Interview: MELODY MAKER (1982)

A Policeman's guide to good and evil: You might not have noticed, but there's been little activity on the Police front recently. This year, apart from a few sporadic live appearances, has seen various members all heading off in different directions. Andy Summers is about to release a solo album with Robert Fripp, and also preparing a book of his photographs...

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Jul 01, 1982
Interview: GUITAR WORLD (1982)

The Police have their own look, the blond aryans in motorcycle leathers, now as characteristic as the sixties' mop-top haircuts and stovepipe trousers. The Police also have their own sound firmly rooted in the present yet characteristically unlike anything else. A great part of their uniqueness is in their songs. A major aspect of this sound is the hidden composer alias frontman, Sting. His contribution is the most instantly recognisable because his is the distinctive voice, soaring over the polyrhythmic cushion of harmony to which he supplies the bottom notes. To many fans, Sting is the Police. Very few know that beneath the teen appeal lies a profoundly musical vision...

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Mar 23, 1982
Interview: RECORD (1982)

Boston: It was if the Police had parachuted out of the frigid New England skies like some sort of latter day counter-insurgency mission. Coming off the first leg of extended world tour, Stewart Copeland, Andy Summers and Sting had just spent the last seven hours on a plane from Europe, endured the customs routine and arrived at the Meridien Hotel only five hours ahead of their sold-out concert at Boston Gardens. This was shaping up as the ultimate test for one of rock's most fuel-efficient vehicles. Jet-lagged and disorientated, without even the benefit of a sound check, the Police would have to reach down for something deeper than mere show-must-go-on professionalism if they were going to establish a real rapport, a sense of intimacy with over 15,000 people in the acoustical confines of a hockey rink...

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Jan 01, 1982
Interview: THE WASHINGTON POST (1982)

The Police - Working the rock beat; inside the machine with Sting and friends: Andy Summers sinks his small, rumpled frame into a tattered backstage couch. His face wears the sallow gray of sickbed and night patrol, and a vein throbs a blue sentry over his right eye. Seated, Stewart Copeland squints determinedly into a Stephen King horror story - a wasted attempt to stare down the wall of noise around him; one leg waves a tired surrender over the chair arm. Sting, meanwhile, is in an anteroom, testing the flexibility of the twice-sewn stitches in his right hand...

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Dec 01, 1981
Interview: MUSICIAN (1981)

Between the pleasant song hooks and facile photogenia of the Police there lies a sophistication and urgency that has justly brought Andy Summers, Sting and Stewart Copeland to the top of everyone's pops. August in the Canadian woods sure beats the hell out of August in the sweaty East Coast city where I spend most of my time, so I can easily appreciate why the Police had chosen Le Studio in the tiny village of Morin Heights, Quebec, to mix their upcoming live album. With clear skies above and cool, clean air all around. the group displayed its outdoorsy side as we talked; Stewart Copeland repeatedly slammed a baseball into his mitt, confessing that "I haven't got a clue of what to do with it," while Sting decided to undergo his interview while paddling across the small lake behind the studio...

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Oct 23, 1981
Interview: THE NEW YORK TIMES (1981)

The Pop Life: When a rock group creates a distinctive new sound that takes it to the top of the best-seller charts, the last thing anyone wants the group to do is change. But the Police, the English trio whose third and most recent album was a million-seller in the United States and a worldwide hit as well, have never had much faith in the conventional wisdom of the music business. In l978 they promoted their first album, 'Outlandos d'Amour',' by touring America on a shoestring budget, riding with all their equipment in a single van. Instead of accepting the usual advance against royalties from their record company, A&M, the Police negotiated a contract guaranteeing them a higher royalty rate than is customary. If their records had been unsuccessful, they would have received little or no money. But their unusual decision proved extremely profitable for them: their second album went gold and their third went platinum...

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Oct 01, 1981
Interview: LOOK NOW (1981)

The Police - They're a fair cop! Their arresting style and personalities have earned the Police a much-deserved and lawful place at the top of the charts. All of a sudden, getting to talk to the Police has become, well, tricky. It isn't that they're too big to bother, now that they're one of Britain's best-selling new bands, it's just that in 1979 and 1980 their feet don't seem to have touched the ground...!

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